Do I repeat myself? Very well, then I repeat myself.
Antidisestablishmentarianism is supercalifragilisticexpialidocious!
BLA Bla bla b l a a a a
Are we still here?
Maria is reading Walt Whitman song of myself. She found it in the Comercial Mexicana, or la comer as it's commonly known. Almost two years ago now Chris wrote me asking me if I'd ever heard people call it that, or call the supermarket, el super. ¿Vas al super o a la comer? Heh. In fact I hadn't paid much attention. Do I repeat myself? Very well, then, I repeat myself. I contain multitudes. I am an atom.
Sometimes it astounds me how little attention I pay to things under my nose. Sometimes. Sometimes I am surprisingly ignorant. Well, maybe not... surprisingly... so.
Maybe it's not so surprising. It was very pleasant to spend a few minutes visiting with Maria yesterday but I could feel again the fact that I, selfish me, do not want to "live with" anyone at all. I enjoy seeing her but sitting there I felt the same old discomfort as always when I try to imagine myself living with her again.
No matter how much she says she has changed. Maybe I have not. No, no maybe about it. I have not.
Oh, and of course I don't believe she has changed. She is still the same perfectionist as ever. I am just not comfortable with that.
And she is not comfortable with my grunge.
BUT the pressure is mounting ALMOST all most EVERyOne – except me – wants ME to just make up my mind and go move back in with her again.
Almost. One or two know better. And I. Me, myself, and I. She wants it. BUT I don't. Oh I do, but I don't. I know. I remember.
She threw me out once. Shame on her. And sour grapes shame on me if I let her again. Never. Sigh. Remember Dr. Kohrs? – invisible text above. But the bottom line is this: I would rather live alone.
2.
Ignoring. Yesterday, Tuesday, for example, I spent so much time breaking the rule and polishing and revising Monday
(which my new year's rule says I should have finished on Monday and left alone thereafter)
I spent so much time yesterday polishing the day.before.yesterday diary@ that by the time I got around to starting on yesterday I practically had no intellectual energy and very little time left at all to dedicate to writing fresh diary@blog. So there is no yesterday. And I again determine today will only be today. Except for emergencies I may find when I go to upload at internet cafe tomorrow. And then the day after tomorrow, Friday, I am going to Mexicali for the congress of writers.
Look: there's a cup of coffee from yesterday, right there in that video box. So now, boss, you can see yesterday. What's the matter with that guy? Is he asleep? No, just reading the screen. Thinking. Writing. And deliberately, very oh so deliberately, not moving his head. The woman at the cafe was a little freaked out. She tiptoed over discretely, delicately, with my coffee. I almost forgot she was coming. Huh. It was good. A sip, at last, at the end. Video.
ANYWAY that burnout and not having any energy left to write after spending
all my re-write, that is one reason why I made the resolution rule
(one of several, another is coming true this weekend thanks
to Araceli's hard work), that sufficient for the day
be the evil thereof, that I should spend each
day focussing on each day's diary@vision
and not on other days' blablablogREvision, and I didn't do that
yesterday I mean I did and that was the problem
look there he is reading and re-writing
the day before yesterday,
yesterday.
BAaaaaaaddddd dog. Woof.
No. I am in that little box up there spending literally hours on Tues:yesterday going over and over Mondayblog:from.the:daybefore, polishing, softening the outrageous political hellfire preaching (oh yes, I softened it, it still looks bad enough ranting and raving and flaming but) and then finishing the part about responsibility and loyalties struggling in my mind now that I am actually publishing open to the world windows on the electronic street, not just hidden away in my room where no one sees unless they break in and steal rummage violate etcetera no.
Do I repeat myself? Very well, then I repeat myself. I am infinite.
I contain multitudes. Lots of mediocre spinoff photocopies
knocked off Walt Whitman bla bla bla bla bla.
Part of the above is a lie. I did ALL of the re-writing and re-vision at home.
But I must have looked very much like that, reading and doing
nothing at all on the pyamid steps — but, so,
isn't that the same thing?
No, it ain't.
Now you know what "semi-fiction" means. It is true
but it ain't "isn't" — heh.ho.ha.hee.
Or, as a friend of mine once
said, " M o o . . . . "
3.
It's not that I can't write about yesterday or tomorrow or last week or next year or a thousand years ago or ten thousand years in the future when we will be engaged in a great struggle over the Hyades cluster and all its young stars with their many new worlds, no. I can write about anything at all any when at all, just so long as I do it today the day of the date of the diary@blog. No ex post facto postdating revisions – except for emergencies, corrections, absolutely necessary buttwipetceterazz and nothing but sufficient for the day amen.
I may "write" about anything at all. It is the publishing that gives me censorship blues and the need to pay attention to my responsibility not to lie, not to yell fire in the crowded theater when there is no fire, and maybe yes yell when there is, and then also not to slander, not to mispiel slandar, and not
bla bla bla
freedom is not just liberty. It is
a quality of life of the mind
wbich must be defended, responsibly. One has obligations to not abuse while you amuse self-indulgent authorial divertissment. The price of freedom is vigilance. And truth-telling is one of those costs that must be paid to be preserved marmalade.
4.
And the truth is I should have begun my diary with only writing on the day itself. A dated entry is a dated entry. If A, then A.
But almost from the beginning I felt rebellious. If I am writing, then I make the rules. Well, [perhaps] that's maybe true, yes, but I still must live by certain actual, physical realities. I am free to make many many choices in this life, but I must always accept the consequences for those choices. If I choose to hold my breath until I pass out (in spite of all the oxygen starving pain), then my body will probably start breathing for me. If I choose to jump off the golden gate bridge then I will pay the consequences of smashing into the water at a hundred or something miles an hour and that would be stupid not to mention painful. No. I choose not, thank you. I would rather live now.
I say these extreme examples merely to point out that we may make many choices, some of them very dangerous, and we will always pay the consequences for our actions and choices.
That there are natural laws within whose boundaries we always live. We are free, yes, but we live within limits. And one of the greatest limits is the mind itself, and is also one of the greatest freedoms. Bla bla bla. Ditto God freedom and limit. Good. Merciful. Bismallah Amen.
5.
One of the principal rules and laws that governs this page of language is the three footed stool of communications.
The three feet are the semantic, the syntactic, and the pragmatic. They govern meaning and make it rule the world of our reading and writing here.
Semantic is the meaning and meanings of one word itself. Syntactic is the meaning of a sentence or context or stream of words. Pragmatic is the meaning as determined by a reader herself, himself. Each word, each sentence, each individual reader, construct meaning together. Sometimes semantic is as simple as the sytax is as simple as "a house cat is not a cat house" and there the pragmatic is determined by whether or not a reader knows what a cat-house is. Which is not a dog-house. I am in the dog-house today because I wrote nothing yesterday, Only re-vised day before yes ter d a y
6.
I lit Maria's "boyler" (boiler, hot water heater, properly called, in Castillian Spanish I think, calentador) yesterday when I was there. She had run out of gas Saturday night and so she couldn't cook the breakfast Sunday she had promised me I took eggs and cheese and beans and tortillas over there and only got around to going to get them back last night.
I have been so sorely tempted to move back in, and when she said again that I could and should, I was even more tempted that it set off the storm of contemplation you may have read about above under #1 half in invisible writing (click and drag to block into view one of my usual hyperpage tricks I love the internet it is beyond paper "over-paper" as in "over-drive" etc.) WHERE THE HELL WAS I GOING with this oh yes
I have not had hot water at my studio for almost two months now because the landlord has never bought us a decent hot water heater they are always second hand refurbished that keep burning bad and now this one is all covered with carbon ash and emits huge clouds of dark smoke so we never lit it much after new year's and now, well, now my ex-neighbors took the tank of gas away with them and I ain't going to buy one. No. Go ahead, try and force me. But I miss hot water. I am getting really really tired of cold baths and once a week I heat up a huge bucket of hot or rather very warm water and wash deliciously with that but today I am seriously thinking about going to a bath-house down on the boulevard that I have noticed while I walk to the green taxis downtown that launch from Vidal y Planos corner.
7.
Friday night in Mexicali. Saturday morning in Mexicali. We will be staying at the Calafia Araiza. There will be hot water there! But I need to bathe and shampoo really well before I go, I don't want to ride on the bus all grungy having only washed myself quickly with cold water, no. I want a real bath a shower with hot water and scrub scrub scrub shampoo my hair which is getting quite long now I have not cut it in four years, no. HEY PHILIP CAN YOU FIND THAT PICTURE FROM TECATE AND PLUG IT IN HERE, PLEASE?
OKAY BOSS HERE IT IS
One of my new years resolutions was to go to more writing congresses. To be, more and more publically, the UnitedStatesian writer working in Mexico. To a great extent, like two hundred percent, this is all due to other people. Network is the key word here. You cannot work without other people working with you. Surprise, Danny, surprise surprise writing is NOT just a solitary job, writing is also a community. If it were not for people like Noe and Eduardo and Araceli and el Robber and JeffDurango and Lizardi and las Lunas and Carlos and NinaMoreno and miquerido Poncho and Lucyla and Elizabeth and Olimpia and CarlotaLuisa and MariaTeresa and many many many more who have helped me through the past eight years I would never have been invited to any radio shows or writing congresses or workshops or readings or anything at all. And, in the beginning and in the end, if it were not for you, your eyes right here, your ears that hear, dear reader listener mind that I would be nothing but a tree no one hears in the forest.
So I am going to celebrate the anniversary of the institute for art and culture in Mexicali. And read maybe five minutes from Poeta Frontera Línea and I am preparing a slightly normal yet slightly dramatic statement of a costume to appear as a gringo who lives in Tijuana, something definitely to make a small statement of cliché gringo style but nothing outrageous and of course I must be clean and not stink and so I am a little preoccupied by the fact that I have no hot water in my studio these days and it is raining so I really don't want to bathe again in cold water I think I will go to the baths and take advantage of a beautiful hot shower.
8.
It is raining again. It rained yesterday in the street market all the vendors folded their tents early and left. The week before there was hardly any of them at all he rain was so very threatening that day and yes, it came, but yesterday eight days later there was a good number there except the rain came and they all huddled under their tarps and hunkered down and waited. But then it rained again and again and I came home with my vegetables and new (used) pair of pants I bought for two dollars and a good book to read the autobiography of Nelson Mandella.
And then I take out my notebook with the text of border poet line and I practice cutting out one or two little pieces that fit into five minutes and oh my I like that poem I hope they will like it too it is in the voice of a gringo poet babbling to himself on the street in Tijuana so it really doesn't matter that I read it with a gringo accent because that is what it is and what the narrator is and what I am yes.
Oh, and I also hope the bus does not blow off the slippery frozen roads where the highway falls down the mountain cliffs of la Rumorosa.
"Rumorosa"... ah, yes, just the name is blood-curdling. Gotta love any mountain edge with a name like that! The road is on the very tip top of the picture. You can't see it from this high up in cyberspace. No.
But the huge mountain edge, called la Rumorosa — well, that's it, right there, eh? That cliff on the left edge, the 3,000 foot high edge of the California plateau. Tijuana is sixty miles left (west) down by the ocean.
And then that knife-edge desert mountain range in the center, between barren wasteland and checkerboard fields, that is the mountain range that gave birth to visions of floating mountains in the sky and Gulliver's Laputa uh huh. I swear! We do NOT go there.
No, we go double meanwhile, back in the picture, see further, that gray smudge out in the upper right, where so many many desert fields are cultivated with irrigation water (notice how those on the north of the invisible line are so much greeeeeeeener ahem) well anyway that grey smudge is Mexicali, capital of the sovereign state of Baja California. See you there! Day after tomorrow night, Friday 2 March 7 pm, Teatro CREA Benito Juarez.
This, at least, is not fiction. Unless they lied to me. Not. No. Ah...
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