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self-indulgent authorial divertissement
email: tijuanagringo@yahoo.com
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17.feb.2007 Saturndaeg
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59.winter
1.moon/luna
50.spaceage/edad.espacial
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so anyway
yet the moment remains yet the moment remains |
yeah and well you know this is work, right? Yes, it is. These events are work. I am an American poet working in Mexico. Period, next sentence. These types of events are chances for me to work, i.e., read and perform poetry, and to make contacts and explore plans for future performances and events. Margarita, who with her husband, runs the casa de la nueve cultural café was there last night and I was glad to see her because their place is one of the recent (last five/ten years) developments of privately-run "cultural centers" that have grown up around town sort of an outgrowth of the cafe-cantante movement which is/was really another development of the ancient, ancient tradition that all cultures everywhere around the world have: a place to eat and drink and hear music and art and stories or poetry. In Tijuana this movement of private "culture-spaces" very much appears to have been given form, almost a renaissance of sorts, beginning back in the 1990s by Felipe Almada (RIP) when he developed the El Lugar del Nopal (now run by Adelaida and Jose and company), and continuing on into the millennium with spaces like the Casa de Sueños (off the via rapida oriente by the gas station west of the bus depot), the Antigua Bodega de Papel (on eleventh street just off of Revolution), and the Casa de la Nueve (on Ninth street near the corner of Pio Pico). We apologize we cannot give all names unfortunately no limitations of memory and time and space continuum Einstein zzzzzzip gone. So anyway Margarita was there and complimented me on my poetry and how I used my voice in that underground space and that she liked my using both languages to get a feel for crossing over the border and I thought hmmm now is the moment and I asked her if maybe I could present Border Poet Line / Poeta Frontera Línea sometime this year in their place and that it would be a solo work because performing it in both languages would take almost an hour and she smiled and said "When?" and we agreed that some Friday night in April it will happen. Sigh. I had to forgo going to a party today because I couldn't afford the cost of contributing and taxi. So I went to the internet and drowned my sorrows in Youtube. The wine last night was free. LA Cetto is really quite generous in their support for the arts, and their wine ain't bad, either. Well, it ain't Dom Perignon but hey I ain't gonna complain. Three or four glasses is nothing to sneeze at. Okay, okay, so maybe it was five or six. Any way you cut it that's ten or twenty dollars at any decent restaurant right there. And there were thirty, forty people there imbibing all on the house. Art. Carlota and Tere were laughing in the car as we drove Charlotte home to the beaches. Not even a nickle, not even a fiver, imagine that! And all that music! A really rather hot little klezmer band, la ballena de Jonas, played. Tere is very fond of their music. They are fast and sweet and latin melancholic. Teresa likes their gentle aura of spirituality. All their references are to the old testament. I wonder if she's picked up on that yet. Bla bla bla. And earlier, in the cava, before we read out poems, there was this fantastic performance by a story teller and a musician, a woman and man team, called... oh NO I CAN'T BELIEVE I FORGOT THEIR names they are so very good... eeesh. They tell old native myths and play indigenous instruments. Fascinating. Very well performed. Very very very well. HEY, MIKEY, GET THEIR NAMES AND SLIP IT TO PHIL SO HE CAN EDIT THEM IN, okay?
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z y x
Amen. Goodbye. or well... goodbye for now at least | |
otros sectores: poemas
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email: tijuanagringo@yahoo.com
copyright 2007 daniel charles thomas todos los derechos reservados all rights reserved to us and the various writers and artists by their/our permission
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